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评分10.0
孤岛寻踪(2022)[恐怖]
艾莉森·珍妮将出演J·J·艾布拉姆斯的坏机器人公司打造的惊悚片[卢](Lou,暂译)。该片由安娜·福斯特执导,玛吉·科恩重新撰写杰克·斯坦利的剧本,讲述了一个年轻女子和她房东卢(Lou)的故事。珍妮将会扮演这个强硬的打破常规的女房东,她有着惊人的跟踪能力和其他技能。本片预计2019年春开拍。
评分7.0
暗杀名单(2011)[动作]

走在大街上熙熙攘攘的人群中,艾伦(科尔·豪瑟 Cole Hauser 饰)无法掩饰自己的失意与沮丧,除了为老板勤勤恳恳的工作了9年却还是一个一文不值的小小员工外,妻子不忠的事实也深深的刺痛了艾伦的心。为了纾解郁闷的心情,艾伦来到了一间小酒吧,没想到这一举动却将他卷入了一件奇怪而又危险的事情中去。  在酒吧里,艾伦遇见了一个名叫乔纳森(小库珀·古丁 Cuba Gooding Jr. 饰)的奇怪男人,乔纳森自称是一名杀手,但艾伦不以为然。乔纳森告诉艾伦,他可以免费为他杀掉五个人,并请艾伦列出一份暗杀名单。以为这是一个恶作剧的艾伦给出了名单,没想到一夜过去,名单上的人居然真的接连死去。为了保护名单上剩下的人,艾伦开始了和杀手的斗智斗勇。

评分1.0
厕所故事(2014)[喜剧]
发生在五个厕所里的五个故事。这部黑色幽默情景喜剧无情地揭示了社会最黑暗的角落,将人性中背信弃义的故事编绘成杂锦展现给观众。五个彼此缠绕的故事以暗示的手法讲述,意图向观众阐释对道德的谴责。(豆瓣字幕翻译2.0小组)
评分7.0

当外交手段失效,唯有不择手段。在新的一集里,著名嘻哈组合Naughty By Nature其中一员Treach主演探员尼尔肖恩,他的任务是设法阻止北韩恐怖份子得到**游戏。但任务并非想象那么简单,肖恩为救其线人(花花公子模特儿李善喜),不惜以身犯险,最终被诬陷为杀人犯。成为通辑犯的肖恩,带着新丁搭档和神秘的线人,他不得不使出浑身解数,找遍韩国每寸地方,希望在恐怖份子破坏联合国和平高峰会之前,把他们一网打尽。

评分1.0
爱疯了(2011)[爱情]

本片在2011年圣丹斯电影节上获得剧情片评委会大奖,女主角也赢得评委团特别奖。  安娜Anna(菲丽希缇·琼斯 Felicity Jones 饰)是来自英国的留学生,雅各布Jacob(安东·尤金 Anton Yelchin 饰)是土生土长的美国人。他们就读于同一所大学,不久两人相恋并过上了甜蜜的同居生活。可安娜的护照签证即将到期,为了爱情她留在美国,可移民局找上了门来强制遣送她回国,并宣布她永远不能再次踏上美国国土。远距离的恋爱让两人备受煎熬,在爱情的驱使下,雅各布一次次踏上了去英国寻找爱情的旅途。可紧跟着距离是不断发生的争执,两人分手了。随着时间推移两人在各自的国度都有了新的生活,可彼此心中却割舍不下彼此。他们会为了爱情再不顾一切的疯狂一次吗?这份热情还会跟当初一样吗?

评分3.0
造物的奇迹(1925)[科幻]
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
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